Sometimes, to really fall in love with nature; to understand and appreciate it, we need to see it, beautifully framed and thoughtfully presented.
It’s great to read a dramatic, well-researched, personality-led article in the likes of say, National Geographic magazine, but when that article is teamed with a bird’s eyes view of arctic wolves on the hunt; red blood penetrating thick white snow, or a herd of wildebeest scrabbling up the muddy edge of a river bank, frantically seeking a sure spot for their feet to fall, to avoid the the snapping jaws of a crocodile… then the story really comes to life.
National Geographic magazine is one of my favourite sources of photojournalism. Such magnificent storytelling visuals, particularly their abundance of wildlife photography, not only connects audiences with natural history, but also serves as a last frontier for recording near-extinct, species; as proven by Joel Sartre’s Photo Ark project (featured in the Oscar-nominated Discovery documentary, Racing Extinction).
The power of photography in these such cases cannot be contested. I love photography, and ever since visiting the Wildlife Photographer of the Year exhibition at the National History Museum earlier in the year, I’ve been inspired to get back in touch with using a camera and my own desire to dabble in some amateur wildlife photography.
Shooting on a Nikon D80, and occasionally an iPhone, I have joined a social media group through my work (I work for Discovery Education by day), called Discovery Shutterbugs. It’s a fantastic place to share some of my shots with my colleagues, to receive tips and advice, as well as some much needed constructive criticism!
I’ve managed to fit in a few ‘nature days’ since moving to London in November. Earlier in the year, around Easter time, I stayed at a beautiful cottage with my partner, in a place called Scarning, in Norfolk. Set amongst the idyllic grounds of Scarning Dale estate, we stayed in the quaint Rose Cottage, which had visits from wildlife everyday, and I took the above selection of photographs, which I have since shared on Discovery Shutterbugs, and on my Wildlife Photography page on this blog.
When I’m not able to escape to the country, I have been finding places of nature to relax in around the City, my favourites being Ravenscourt Park (which is on my doorstep), St. James’s Park and the beautiful, expansive Richmond Park.
After spending a few months reacquainting with my camera, I enrolled on my first ever camera course: An Introduction to Wildlife Photography. Obviously the title sounded entirely my cup of tea, but also, the day’s course would take place in an area of London I’d never been before; Woodbury Wetlands, and is associated with an organisation that (for my shame) I know little about; London Wildlife Trust.
Woodberry Wetlands is an incredible patch of land, a short walk from Manor House tube station. The reserve stretches 17 hectares and encompasses reed-fringed ponds and dykes that are abundant with wildlife, including birds and waterfowl, bats and amphibians.
According to its website, “Prior to the building of the new river and reservoirs, the Woodberry Down area was in fact not a wetland at all! On the crest of a hill, the area is rather known confusingly known as ‘down land’, hence the name Woodberry Down. 600 years ago the was rolling grass meadows, pastures for cattle and small woodlands, probably home to dear and wild boar, as well as a number of small hold peasant farmers.”
The reservoirs now on the site were constructed in 1833 to meet the growing demands for drinking water in the then suburban London ‘towns’ of Stoke Newington and Stamford Hill. By the 1950s, the reservoirs and New River were being treated with chlorine and sodium phosphate gas to ‘clean’ the water, resulting in them being devoid of any wildlife. By the early 1990s, Thames Water put the Stoke Newington reservoirs up for sale, and after a long campaign by local residents to stop them from being filled in, the reservoirs were saved and wildlife began to thrive as chlorine and sodium phosphate ceased to be used to clean the water.
Woodberry Wetlands was constructed this year and the Stoke Newington East Reservoir was opened to the public for the first time, by Sir David Attenborough, on the 30th April.
Upon finally discovering and taking my first look around this beautiful setting, it was time to begin the course, run by Royal Photographic Society associate Penny Dixie. An incredible photographer, Penny used examples of her own fantastic work (well worth a look!) to explain camera basics; such as shutter speeds, aperture, white balance and controlling your exposure using histograms.
Naturally, being a day course, it was a bit of a whistle stop tour of the basics, but few of us in the room were competent enough to need or desire any more than that; most had either heard of some of these controls, experimented with them occasionally, or were so out of practice that a good refresher was needed. I fell into the latter category.
But after a good morning of classroom-based theory, we were ready to try out some depth of field work, and sent out into the reserve to complete the following tasks:
The results of my day’s work (all very proudly shot with my camera set to manual!) are shown below, please click on any of the images to enlarge. I’d love to know what you think, or any tips or hints you’d give me for improvement. I’m really hoping this is the start of a very rewarding learning curve for me!
The Introduction to Wildlife Photography Day Course will be running again in August I am told, so keep an eye out for information here.